January 6, 2017 — 3:00–7:00pm
Kislak Center for Special Collections, Van Pelt Library
University of Pennsylvania, 3420 Walnut Street
The expansive contours of the Iberian world in the 16th and 17th centuries, expressed in the imperial motto plus ultra or “further beyond,” can at times obscure the aporias (of ecologies, ethnicities, and epistemologies) at its fringes. Recent scholarship on the material cultures, political economies, and discourses of gender of imperial Spain has worked to address these gaps and contradictions. Responding to the MLA 2017 presidential theme of Boundary Conditions, this afternoon symposium gathers students and scholars of the early modern Iberian world for interdisciplinary roundtable discussions that aim to bring forth the spaces, bodies, and practices that exceeded—and in doing so, defined—the limits of this ostensibly “boundless” empire.
3:00–3:30 — Coffee
3:30–4:30 — Session 1: Mare nostrum / Terra ignota
Christina Lee (Princeton), Miguel Martínez (Chicago), Ricardo Padrón (Virginia), Sherry Velasco (USC)
4:30–4:45 — Break
4:45–5:45 — Session 2: Corpus delicti / Hortus deliciarum
Israel Burshatin (Haveford), Jill Ross (Toronto), Felipe Valencia (Utah State), Sonia Velázquez (Indiana)
6:00-7:00 — Reception @ Zavino University City, 3200 Chestnut St.
Israel Burshatin is Professor of Spanish and Comparative Literature at Haverford College. His research focuses on discourses of “Orientalism,” religion, and on the articulations of gender, sexuality, and race in Medieval and early modern Spain. His current project is concerns the poetics of biopower, and traces the emergence of subjects empowered or subdued by the government of life, from captives in Alfonsine law to medical representations of bodies of pleasure, illness, and disorder.
Christina Lee is a tenured research scholar in the Department of Spanish and Portuguese at Princeton University. Her publications include: The Anxiety of Sameness in Early Modern Spain, the collection of essays Western Visions of Far East in a Transpacific Age, and Reading and Writing Subjects in Medieval and Golden Age Spain: Essays in Honor of Ronald E. Surtz (with José Luis Gastañaga). Her current book project examines the sacred world of the Spanish Philippines during the early colonial period.
Miguel Martínez is Assistant Professor of Spanish at the University of Chicago, where his research describes the cultural and literary histories of early modern Iberia and colonial Latin America. He is the author of Front Lines: Soldiers’ Writing in the Early Modern Hispanic World, which explores the writing and reading practices of Spanish popular soldiery in both the Old and the New World. He is currently working on a second book project on Spanish colonial discourse in and about Southeast Asia.
Ricardo Padrón is Associate Professor of Spanish at the University of Virginia specializing in the literature and culture of the early modern Hispanic world. His first book, The Spacious Word: Cartography, Literature and Empire in Early Modern Spain, examines the joint contribution of sixteenth century literature and cartography to the transformation of European world views. His most recent work emphasizes the transpacific dimensions of Spain’s concept of “the Indies.”
Jill Ross is Associate Professor of Comparative Literature and Medieval Studies and Director of the Centre for Comparative Literature at the University of Toronto. She is the author of Figuring the Feminine: The Rhetoric of Embodiment in Medieval Hispanic Literature, and co-editor (with Suzanne Conklin Akbari) of The Ends of the Body: Identity and Community in Medieval Culture. She is currently working on a project on comparative poetics in the late medieval Crown of Aragon.
Felipe Valencia is Assistant Professor of Spanish at Utah State University. His book project, The Melancholy Void: The Problem of Lyric in the Age of Góngora, interprets the transformation of Hispanic poetry at the turn of the seventeenth century in light of two interconnected developments: the interest in melancholy as the condition of the poet and the emergence of lyric as a category in poetic theory. He has published articles on sixteenth-century Spanish lyric and epic poetry, and neo-Senecan tragedy.
Sherry Velasco is Professor of Spanish literature and culture in the Department of Spanish and Portuguese and the Gender Studies Program (and currently Chair of the Department of French and Italian) at the University of Southern California. Her publications include: Lesbians in Early Modern Spain and Male Delivery: Reproduction, Effeminacy, and Pregnant Men in Early Modern Spain. Her current book project is tentatively titled: Quixotic Obscenities: Sexual Knowledge in the Age of Cervantes.
Sonia Velázquez is Assistant Professor of Comparative Literature and Religious Studies at Indiana University, Bloomington, specializing in religion and aesthetics in the early modern Iberian world. She is co-editing with William Egginton a critical cluster for MLN on Agamben’s theopoetics and early modern Spanish poetry, and hopes to complete the manuscript of a monograph, Promiscuous Grace: Rethinking Beauty and Holiness with St Mary of Egypt, this spring thanks to a grant from the College of Arts and Humanities Institute at IU.
CFP: Social Justice and the Golden Age Comedia
This is a call for an EDITED VOLUME on Social Justice in Spanish Golden Age Theater.
This edited volume will focus on issues of social justice in theatrical works of Golden Age Spain. For example, the 2013 Repertorio Español production of Fuenteovejuna illustrates how relevant social justice issues are in Golden Age Spain and how well those issues translate to the modern world. We are looking for papers that discuss one or more of the following topics: social justice issues in Golden Age plays; modern productions of Golden Age plays that borrow from social justice settings such as Occupy, 15m, YoSoy132 or similar; or theoretical approaches to Golden Age plays that incorporate social justice topics.
Please send a 500-word abstract outlining topic and approach, along with a CV to email@example.com by January 15, 2017. Decisions will be made by February 15, 2017. The anticipated submission date for final essays is October 15, 2017. Papers from accepted abstracts will undergo a peer-review process before final acceptance.
This project is a collaboration to be edited by Erin Alice Cowling Cowling (Hampden-Sydney College), Glenda Nieto Cuebas (Ohio Wesleyan University), Tania de Miguel Magro (West Virginia University), and Mina García (Elon University). Questions can be directed to firstname.lastname@example.org.
Sorry I’m late to this, but:
Adrienne L. Martín and María Cristina Quintero, eds, Perspectives on Early Modern Women in Iberia and the Americas: Studies in Law, Society, Art, and Literature in Honor of Ann J. Cruz (Escribana Books, 2015).
PART I. Enterprising Women: Correspondence, Testaments and Memoriales
El memorial autobiográfico de Beatriz Ramírez de Mendoza, Condesa de Castellar (1556-1626)
The Count of Salinas and the Women in his Life
Trevor j. Dadson
Doña María de Ribera, Esposa de Hernando Dávalos:otra dama en el entorno de Garcilaso
Inca Garcilaso’s Mother: Agency and Authority In Royal Commentaries
La marquesa de Campolattaro y el virrey Osuna: Los diarios de Zazzera y otros rastros sobre su escandalosa relación
Encarnación Sánchez García
A Public Household: Hipòlita Roís de Liori, Networking and (Text)Tile Business in Sixteenth-Century Catalonia and Valencia
Female Agency and Daily Life in Early Colonial Florida’s Ciudad Letrada
PART II: The Construction of Marriage in Fiction and the Law
Women’s Status, Family Systems, and Marriage in a Time of Economic Crisis: Cuenca, 1500-1650
Sara T. Nalle
Dorotea’s Dilemma: The Stable Marriage Problem in Don Quixote
In Praise of Lupe Bruce R. Burningham Twisting the Trope: Refashioning the Work of Wedlock in Baroque Spanish Women’s Writings
Political Realities and Fictional Surrogates in María de Zayas’s Mal Presagio Casar Lejos
Elizabeth Teresa Howe
PART III. Pregnancy, Childbirth, and Motherhood
Mujer-águila, polvo espiritado y un conejo boca arriba: oraciones y conjuros para el parto en el México pre-hispánico y colonial
Viviana Díaz Balsera
Abortion, Illicit Sex, and Social Control in the Courts of Early Modern Spain
Illness and Pregnancy: Female Agency in Lope de Vega’s El acero de Madrid
Becoming a Legend: Cornelia Africana from Learned Roman Matron to Custodian of the Family Jewels
Emilie L. Bergmann
Puta la madre, puta la hija y puta la manta que las cobija’: El legado de la madre en la picaresca femenina
PART IV. Gendering Religious Voices
Forma, reforma y neorreforma: texto, contexto y neotexto en Moradas del Castillo Interior
Another Side of Beatas: Their Testimony During Inquisitorial Visits
William P. Childers
Telling a Father’s Life: John of the Cross’s Female Biographers
‘Así como lo pintan por acá’: iconografía contrarreformista en las Vidas de monjas
Mercedes Alcalá Galán
Josefa em Óbidos: Mistress of the Cascais Santa Teresa Series
Friends in High Places: The Correspondence of Felipe IV and Sor María de Ágreda
Sor Juana Inés de la Cruz, Sor Filotea de la Cruz, and the Construction of Clerical Masculinity in Colonial Mexico
Aristocrat and Mystic: Writing the Material in Luisa de Carvajal y Mendoza
Mary E. Barnard
PART V. Cultural (Con)texts and Literary (Mis)Representations
Send in the Nuns: Jousting Sisters in a Late Medieval Spanish Poem
Ronald E. Surtz
De Solís a Lobo: la mujer en la poesía bajobarroca
Pedro Ruiz Pérez
¿Libertades de Maga? Urganda y las dos Felicias
J. Ignacio Díez
Renegadas in Early Modern Spanish Literature
‘A Spanish Ottoman’: Cervantes’s Play on Hybridity in La gran sultana doña Catalina de Oviedo
Diana De Armas Wilson
Drawing Leocadia in Cervantes’s La fuerza de la sangre: Woman, Saint, Hortus Conclusus and Mater Dolorosa
Frederick A. De Armas
Voice in Context: Writing Women in Early Modern Spain
Edward H. Friedman
Feliciana Enríquez de Guzmán, una dramaturga barroca seducida por los libros de caballerías
Mª Carmen Marín Pina
‘Cubriendo y velando en la primera hoja’: Antonio León Pinelo y los contextos culturales de Velos antiguos i modernos (1641)
Laura Bass y Carmen Peraita